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    • "Under the Dome" Pacing Guide
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Pride & Prejudice Pacing Guide:

Pride & Prejudice has 61 chapters and around 254 pages.

To finish the novel within 4 weeks, you will need to use the following pacing:

1.  Read 2 to 3 chapters a day, or...
2.  Around 8 - 20 pages a day.

Student Exemplars:


Resource Link: Advice to my 13 Year Old Niece Madison on Reading “Pride and Prejudice” for the First Time

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Pride & Prejudice Guiding Questions:

Directions:  The guiding questions to the right are not tied to any particular chapter.  Question 1 is meant to be answered after reading the first line of the novel and question 11 is meant to be answered once you are finished reading the novel.  The rest of the questions can be answered at any point during your reading once you feel you have read enough to fully explore, through writing, the ideas that the questions are wanting you to struggle with.

Your reading log has 11 pages, one for each of the guiding questions.  Be sure to record, at the top of each page, the number of the question you are answering as well as the chapters that you have read that are reflected in your response to the question, as well as the chapters that were used for your annotations and vocabulary.
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  1. “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” This first line has become one of the most famous in English literature. In addition to setting the narrative in motion, how does this line alert us to the tone of the novel, and our role, as readers, in appreciating it? What does the line imply about women?​
  2. The book had the original, working title First Impressions. Why is Pride and Prejudice a better title? In what ways are Darcy and Elizabeth guilty of both pride and prejudice and how does this drive the action of the story?
  3. Marriage, as something to be aspired to, is portrayed quite differently in the novel than existing marriages. What married couples do we see in the novel? How would you characterize these relationships?
  4. How are Elizabeth’s wit and intelligence and independence first made clear in the novel? In what ways, during the course of the novel, is she the victim of her own intellect and independence? Are these features eventually responsible for her happy ending?
  5. The love Elizabeth feels toward Mr. Darcy evolves and deepens largely without direct contact. Does that make you question that love? What causes these feelings of love? Are they realistic?
  6. Why is Darcy so attracted to Elizabeth? When can we first sense this? Why does it take her so long to see it? Elizabeth’s attraction to Darcy arises very differently. Why is this important?
  7. For much of the novel, Austen seems to be offering a fairly pointed critique of marrying for social considerations. But it’s also true that the happy marriages that bring the novel to a close are favorable by the terms of the society. In the end, both Elizabeth and Jane do marry “up.” Does this undermine the critique the book offers? Is it meant to be read ironically? Do you think that Austen is critiquing Elizabeth and Jane?
  8. Pride and Prejudice is a novel that many Austen fans read and reread. What keeps readers returning to the book once the suspense of whether or not Darcy and Elizabeth will end up together is taken away?
  9. The works of Jane Austen have been the inspiration of numerous contemporary books and films, both adaptations and new original works. What universal themes in the novel resonate today?
  10. The happy union between Darcy and Elizabeth is ultimately (and unwittingly) assured by Lady Catherine. How? Why is this master stroke of dramatic irony so satisfying for readers? Can you see how the roots of this irony are sown throughout the novel?
  11. Pride and Prejudice is a novel largely about love and relationships, but without any descriptions of passion. Do you think the novel’s chasteness is more a reflection of the way people lived in that time and place or a reflection of what was acceptable in its literature or something specific to Jane Austen? Is the novel strengthened by this constraint?

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